- #Shuttle pro adobe premiere pro shortcuts pro
- #Shuttle pro adobe premiere pro shortcuts software
- #Shuttle pro adobe premiere pro shortcuts mac
- #Shuttle pro adobe premiere pro shortcuts windows
Adobe's After Effects, Pinnacle's Commotion, Digidesign's Protools, Macromedia's Flash all offer proprietary shortcuts, but not the quasi-universal keyboard-based tape transport metaphor that many editors crave. But what about other applications that do not capture video from an outside source like a deck? Although many applications use keyboard shortcuts for speeding up navigation on a linear timeline, few offer robust solutions such as J-K-L support.
#Shuttle pro adobe premiere pro shortcuts pro
Thus you can expect to see Avid, Media 100, Premiere or Final Cut Pro adopting these transport keyboard shortcut conveniences. Things like J-K-L support are conventionally related to physical decks and applications that directly access them. Using these five keys together with one hand, it is possible to log clips and whole tapes without touching the mouse or looking at the keyboard (even for non-typers like me who skipped typing in high school and have regretted it ever since.) Its just another one of those innovations that combines the conventionality we humans have come to expect from machines since the Industrial Revolution with the need to forget that we are using a convention at all so that we can get some freaking work done!!!įor the compositor and anyone else using applications other than a chosen digital editor, there is an inherent problem here. Just above the J-K-L keys are located the I and O keys, or the Final Cut Pro keyboard shortcuts for In and Out. Take for example our friend Final Cut Pro, where J-K-L support was finally added last year, after tremendous user clamoring. Many applications have followed this lead, and each application has developed its own variation on important other related keystrokes. It simply uses the QWERTY keyboard's J, K and L keys as respectively Rewind, Pause and Fast Forward.
#Shuttle pro adobe premiere pro shortcuts software
Pretty early on, software developers instituted what is called 'J-K-L' support. Sometimes I have to bite my finger to keep from grabbing the mouse from a student and tossing it out the window.
#Shuttle pro adobe premiere pro shortcuts mac
You can usually tell how long someone has been using a Mac by how many keyboard shortcuts they use and how many times they reach for the mouse. For years, Apple has been fantastic about the development of keyboard support, and the subsequent ease of including keyboard shortcuts in third party software.
#Shuttle pro adobe premiere pro shortcuts windows
And so Avid, Media 100, Premiere and Final Cut Pro still put funny little buttons with arrows on the windows of their onscreen editors, much to the disgruntlement of every editor's wrist.Īll is not lost, though. Now that the physical gears are gone, we still need to see the veneer of gears to intuit what something can do. We humans are hardwired for our tools and we can't live without them.
are all standards that hearken back to a day when push buttons engaged gears that drove motors and caused action. Nearly every digital video editor incorporates a tape transport metaphor into their interface design. Digital non-linear editors, like Avid, Media 100, Premiere and Final Cut Pro use mouse-driven, or if you get lucky (and spend enough money), keyboard patterns that sort of mimic the hand-eye coordination system that Jog/Shuttle provides for physical tape decks.
Linear systems follow the venerable system of Jog and Shuttle wheels that make the tape transports on the tape decks leap to life. In general, that's usually pretty restrictive. I've used linear tape-to-tape systems as well as digital non-linear editors and I've gotten used to adapting to whatever workspace the system I'm using allows me. Review - Shuttle PRO Multimedia ControllerĬontour Design's Shuttle Pro Multimedia Controller
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